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The film, a masterpiece of petit bourgeois cinema, is a triumph of stylistic elegance and social irony. It is possibly the good example of this genre in modern Japanese cinema. The film is a three-part epic directed by a key figure in the evolution of jidaigeki, Japanese cinema. When it was first published in 1959, critics proclaimed it the finest Japanese film ever made. However, this masterpiece was never re-released and was long theory lost until a condensed print was found out in 1991. A new technology of viewers could now appreciate this timeless masterpiece. The film was nominated for an Academy Award in 1989 and was the first Japanese film to be nominated in the class. The film was also tailored from a novel by Yasushi Sato, who tragically committed suicide in 1990. This trilogy fueled a resurgence of samurai cinema in the early twenty-first century. The film was so successful that riots broke out in Japan. In fact, it became the main a success Japanese film of the silent era.

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