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Self-censorship is an increasingly common challenge for artists and newshounds in Japan, and it threatens democracy. In Hungary, as an example, journalists are afraid to ask controversial questions about the govt as a result of they'd lose access to interviews and press meetings. Journalist Janos Karpati, a former EU correspondent, asked a question about the death penalty and was told that his question was not appropriate by Prime Minister Viktor Orban, and he was threatened with the lack of his job. While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the arts rekindled the talk. A recent resolution by the Aichi Triennale to cancel an endorsement of a set by South Korean artists depicting Japanese squaddies in Nanjing has reignited the talk. While it's critical to protect the liberty of expression, it can also embolden extremist features. In Japan, most contemporary art museums are publicly owned, and the MAM has been the area of protests. However, despite its arguable position in the sphere, the museum is privately owned and backed by the effective Mori family, that is a pillar of the Japanese culture. There are many reasons why artists may self-censor their work. Some are symbolic, designed to promote social team spirit and avoid insults to shared values. Others are in keeping with the pursuits of successful people.

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