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The music on this album is not only fun but in addition extraordinarily beneficial, and is among the highlights of the film. Its hypnotic and digital sound adds an authentic and contemporary element to the normal. The orchestra's transforming of the common song symbolically celebrated the Far East's progress in era and low cost production. It also coincided with the emergence of the digital pop circulate in the UK. The band's music was so infectious and enticing that the crowd of 200 Japanese teenagers stayed in their seats for hours, cheering in a well mannered way at the end of every song. Although it was an odd experience for them, this concert was a huge hit. The YMO even conducted four-day concerts at Tokyo's Nippon Budokan, inflicting a buzz throughout the nation. Before the band broke up, its individuals have been operating independently and on a number of creative paths. Yukihiro, for instance, was already contributing to the J-POP scene and was credited with writing the soundtrack for the David Bowie movie 'Merry Christmas Mr. Lawrence'. Other contributors, like Ryuichi, delved into ambient music and digital music.

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