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In a global that was still reeling from the death of cinema’s golden age, X-rated movies were a surprisingly potent cultural signifier. Not only did they supply a window into a time when moviemakers were given a once-in-a-lifetime freedom to discover the sex, violence, and race of an increasingly diverse society, but they also offered an outlet for filmmakers who were ready to take their art seriously without having to stress about local censorship boards that have been slicing their pictures all the way down to ribbons because the art’s advent. X scores were not trademarked by the MPAA, in order that they were easily utilized by anyone. This made it easy for producers of pornographic films to apply the X to their films. As the 1970s wore on and more and more pornographic films were produced, the X rating became much more generic. In order to offer their films a more adult-orientated feel, some pornographers began using multiple Xs to suggest that the film contained more photograph sexual content than the simple X. This led to the creation of XX and XXX scores, which virtually meant that the film had even more picture sexual content than the fashioned X rating. These were marketed as “hardcore” or “sexy” and were a advertising tool for pornographers to get more awareness from their audience. In 1990, the MPAA and the National Association of Theater Owners ceased using the X rating. Instead, they created a new type called NC-17 which was principally designed for films that contain excessive violence or express sexuality. While this was a favorable advancement for the industry, it did not steer clear of pornographers from applying their own X rankings to their films.

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