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His mother, Lydia Meyer, was of German heritage. She gave him a film camera when he was fourteen and he started to make beginner films. Later, he developed an interest in burlesque and was attracted to it with a view to deviate from the folklore surrounding pin-ups. Meyer was known for his irreverent strategy to exploitation cinema. A woman once disregarded one of his films as "merely an outlet for her fantasies. " Meyer replied, "That's only half of it. " In that moment, Meyer completely captured the irreverent horndoggery and detached wit that was characteristic of his work. Meyer had formerly retired from filmmaking, but returned to filmmaking after developing the highly a hit Supervixens (1976). The film's surreal style and audacious unpredictability make it a standout among Meyer's works. The film also points two miraculous performances. Meyer's films began to become more specific in their sexual content.

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